A camera as a tool of psychological inquiry.

I am a filmmaker, illustrator, and visual storyteller from Naples, Italy. My work lives in the space where literature, graphic art, and cinema meet.

My passion for cinema was sparked at the age of eight, watching the giallo films of Dario Argento · the saturated reds, the impossible architectures, the cruelty of beauty. That early shock became a lifelong inquiry into image, fear, and form.

I am, above all, a self-taught filmmaker. The craft was learned independently · through obsessive watching, reading, drawing, and shooting · long before any classroom. Formal study followed only to sharpen what years of solitary practice had already shaped.

"Every frame should reveal something hidden beneath the surface."

My filmmaking is deeply influenced by the patient, rigorous methodologies of the Japanese masters · Hideaki Anno, whose impact on my visual thinking has been seismic; Akira Kurosawa, whose filmography I have studied more than any other; Kenji Mizoguchi, Shin'ya Tsukamoto, and Yasujiro Ozu · together with the painterly, contemplative cinema of Alexander Sokurov. Whether through narrative shorts, documentaries, or graphic illustrations, my goal is to treat the camera as a precise tool of psychological and emotional inquiry.